Let the heavens / rejoice /
and the earth / be jubilant
let the sea / and all within it / resound
let
the fields / and everything in them / exult
let all the trees / of the forest
/ raise a shout
before Yhwh / for he is coming
he is coming / to judge the
earth.
There is no shadow in these verses. Instead, it is unadulterated,
exuberant joy at Yhwh’s coming. “Heaven
and earth”, those twin realms that until now were not in unity (the earth was
the realm of ‘idolatry’ while heaven was the realm of perfect praise) are
contained within a single line, and in a single act of unified rejoicing at
Yhwh’s coming. In a sense, what was divided and set apart (and against each
other) after Adam and his sons, is here brought back together. We should hear here an echo of the opening
words of Genesis, where ‘heaven and earth’ are so close (literarily and
literally). But first, we need to back-track and see why these verses appear
here within the psalm. The previous verses ended with Yhwh establishing
‘equity’ among “the peoples”. Within the context of the psalm, as we saw, that
includes the removal of idolatry such that Yhwh becomes the absolute center of
the world’s liturgical attraction and desire. It necessitates, in other words,
a judgment of sorts that contains within itself a proclamation of “guilty” (on
idolatry and injustice). It is only in the wake of this that ‘heaven and earth’
can again be united. As Paul would say, creation ‘awaits the redemption of
man’. It ‘groans for it’. Just as, in Genesis, the land is cursed following the
curse on Adam, so too is the earth healed following the redemption of man. When
this occurs, however, what follows is truly tremendous. Heaven and the earth
itself enter into a profound and wild praise to Yhwh. Liturgy is not something
restricted to man (the peoples and the nations), but something that ‘heaven and
earth’ enact as well. We need to note that the most extravagant acts of praise
in this psalm are not found in the human realm, but in ‘heaven and earth’, in
‘land and see’ and in ‘trees’. Again, we find here the psalmist pushing praise
to the utter boundaries in a very shocking manner. As the psalm progresses, as
the Yhwh’s reign gets closer, the cosmos begins to fall more and more under the
sway of Yhwh’s reign. As it does this, the liturgical praise of Yhwh
increases—from Israel, to the nations, and, now, to the earth. In Israel, there
was ‘singing’ to Yhwh; but in the nations, they actually mirrored the heavenly
liturgy; here, “heaven and earth” are “jubilant”, “resound”, “exult” and “raise
a shout”. Something has been released, as it were, in creation; a barrier to
its festival shout to Yhwh has been removed. Until this point, ‘heaven and
earth’ have been contained. Yet, when it is freed, its expression is nothing
short of an eruption.
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