Monday, December 21, 2015
Ps. 8, Pt. 2 (Majesty and the Lifting)
Majesty and the Lifting: It is an interesting thing
to note that the psalmist begins the psalm declaring that he is going to
worship the ‘majesty above the heavens’, but the rest of the psalm focuses on
Yhwh’s lifting up of the lowly in order to grant them a participation within
his strength. True, he does mention “the heavens, the work of your fingers, the
moon and the stars”, but the dominant note that is struck is the fact that Yhwh
consistently “establishes his strength” either through “babes and sucklings” or
through the seemingly irrelevant “sons of man”. Indeed, the reference to the
heavens’ creation only serves to highlight the magnitude of the authority that
is granted to man. If we are, in fact, to see in this psalm a praise of Yhwh’s
majesty, then we must come to a rather profound realization: that it is precisely
in “the lifting” that the psalmist sees one of the grandest expressions of Yhwh’s
majesty and mastery over creation. In other words, Yhwh’s condescension to
establish his strength in the lowly is, almost paradoxically, an expression (or
theophany) of his majesty. This is something we alluded to in our reflection on
Psalm 2—that it was precisely in mediating his authority through the Davidic
king that we were permitted to witness an aspect of Yhwh’s love and authority
that otherwise would remain hidden. Yhwh is one who can actually hand over
power and thereby increase his own glory rather than lose or diminish it. More
deeply still, the more he establishes his power in the ‘lowly’ the more his
power is actually revealed; if he can establish his strength through “babes and
sucklings” then he is not limited to the realm of human forms of dominion and
power. Instead, he can pacify (vs. 2) all human forms of dominion and power
precisely through those who have none. This is why the psalmist can actually
overwhelmed by Yhwh’s majesty, precisely through his mediation upon the
authority that has been granted to man. We might say: God could subdue Rome
through a backwater nothing-of-a-man.
Thursday, December 17, 2015
Ps. 8 (Majesty, mastery and liturgy)
It is commonly thought that what the “babes and
sucklings” speak is the divine Name and that Yhwh’s mastery is thereby ‘established’
putting “to rest” foe and avenger. There is merit to this. However, the psalm
seems to point in a different direction. In the immediately preceding line the
psalmist declares that he will “worship your majesty above the heaven.” It is
this act of speaking, this liturgical praise, that I believe is what comes forth
“from the mouths of babes and sucklings”. This has important ramifications for
how we understand the act of creative mastery in this psalm, for both Yhwh and
the authority Yhwh grants to man over “the work of his hands”. Of course, the
act of worship involves praise of the divine Name, and its shimmering
visibility “in all the earth”. But this
is not simply a ‘pronouncement’ of the Name. The Name is ‘majestic’, and this ‘majesty’
is “above the heavens”. The Name is, then, itself an overwhelming expression of
Yhwh’s presence and, as such, can only be expressed through an act of awed
liturgy. More deeply still is how the psalmist understands the role of liturgy
within creation and the act of sovereign power. For the psalmist, the liturgy
of Yhwh’s Name “establishes strength” and “puts at rest both foe and avenger.” This
idea is present in many places in scripture. We might think here of the liturgy
that establishes creation in Genesis, or the liturgy that brought down the
walls of Jericho and, more pertinent still, the liturgy that is reported in the
book of Chronicles at the establishment of the Temple. In Genesis, the “rest”
of the seventh day, is the “rest of Yhwh” as he comes to dwell in the Temple
that has been completed. In Chronicles, the liturgy of the Temple establishment
follows the “rest” that floods the land after David’s conquests. That “rest”
was the prerequisite of the Temple construction. In regards to Jericho, there
is no military attack but simply a ‘seven’-circling (creational circling) of
Jericho. In all of these, the liturgy is part and parcel of the act of creation
against the forces of chaos and destruction. Here, in psalm 8, these ideas are closely wed together. When man
is “made little less than God” and “crowned with glory and honor”, he is made
into the Adam-of-God that has the responsibility to guard and protect the
garden. In other words, to continue Yhwh’s creative act of establishing a
prodigal and life giving order to creation, and guarding that against the
forces of chaos and death. It is this form of ‘mastery’ that is given to man
and the authority that “sets everything beneath his feet”. The entire spectrum
of creation is set beneath man, but man-as-liturgical-man. It is liturgy to
Yhwh that establishes man’s mastery over creation. It is what “crowns him with
glory and honor”. In the words of Genesis, we might say that it is the
foundation of his “image”.
Wednesday, December 16, 2015
Ps. 2 (the new Adam)
Psalm 2
Why
do nations / congregate in commotion
And
why do warriors / murmur murderously
Why
do earthy kings / take their stand
And
why do princes / join together as one
Against
Yhwh / and his anointed.
Psalm 2 opens with a vision of the nations engaging
in speech and in action. The first two lines describe what they say, or how
they sound. The next two lines describe their unity. The final, fifth line
describes what their speech and action is aimed at: the overthrow of Yhwh and
his anointed. These two dynamics are important to keep in mind as the psalm
progress because Yhwh and his anointed will address each in turn.
In the realm of sound there is music and there is noise.
Music is shaped and formed; noise is simply chaos (or, cacophony). Here, when
the nations congregate, their sound is chaotic: they ‘congregate in commotion’
and ‘murmur murderously’. More to the point, their sound is murder. The nations
are, here, deliberately set over-against the blessed man of Psalm 1. In Psalm
1, the wellspring of the blessed man’s blessedness was Torah and his
‘murmuring’ over it day and night. Here, the warriors’ wellspring is murder,
and over it they murmur.
Yet, as central as freedom is to the nations, they
do exhibit a type of order and shape—they do ‘congregate’, ‘take their stand’
and ‘join together as one’. They will, in other words, surrender freedom from
each other (at least temporarily) in order to achieve freedom from Yhwh and his
anointed. This points to an important dynamic of the psalm—the national one.
This psalm should not, I think, be read individualistically, but rather as one
that focuses on how the realm of Yhwh and the realm of chaos interact at the
national level. These are not simply the wicked and the scoffers of Psalm 1,
but princes, warriors and kings. In contrast to Psalm 1, where the wicked could
be avoided by the blessed man, here the nations are actively seeking the
anointed’s destruction. They are at war with Yhwh and his son. There is no
possibility of avoidance. The only option is confrontation. And, that is what
this psalm will address later—how Yhwh confronts those who attack his own. As
we will see, Yhwh’s response to the nations this is the Davidic covenant and
his establishment of his ‘son’ on Zion. Moreover, and perhaps even more
importantly, we will see that while those who stand over-against Yhwh
experience Yhwh as a force of tremendous wrath and destruction, those who stand
within the Davidic realm, hear Yhwh’s voice as one of overwhelming tenderness,
affection and love. This psalm, in other words, takes the dynamic of Psalm 1,
with the blessed and wicked, and transposes it onto the national stage.
The wrath of Yhwh can already be anticipated,
however, from the opening word—‘Why…’. For the psalmist, the nations’ attempt
to overthrow Yhwh’s anointed is nothing short of absurd. It is, to the
psalmist, purely and only a source of confusion and questioning. Contained within
this single word is a vision of Yhwh’s covenant with David that is nothing
short of amazing. For the psalmist, the Davidic covenant stands not merely
as a source of order and justice on the earth, but as the source. The Davidic
kings are, in the human realm, what Zion is in the realm of stone—the place
where Yhwh meets the earth, where heaven and earth intersect in such a way that
Yhwh’s governance, glory and authority are made present to the earth, filling
it with his abundance and desire. If Zion is the ‘navel’ of the world, then the
Davidic kings are the Adam of the Garden. And, this is why the psalmist cannot
do anything but merely voice confusion. Chaos has no shape; it is absurd in its
most fundamental level. Here, the absurd is met with the absurd.
Let
us tear off / their fetters
And
let us cast off / their cords from us
The nations are not simply at war with Yhwh and his
anointed. They are, in fact, in rebellion against them. These ‘nations’,
‘warriors’, and ‘earthly kings’, are currently bound by Yhwh and his anointed’s
‘fetters’ and ‘cords’. They are their vassals, and subject to their authority. They
are, perhaps, attempting their rebellion during a time of succession, when a
seeming fissure has opened. Whatever the cause, we must be attuned to fact that
their rebellion is a tearing of the unified fabric of Yhwh’s reign on earth
through his anointed. Yhwh’s wrath, as we will see, must be understood entirely
within this context.
We must also be cognizant of how their subjection to
the davidides is narrated. They describe themselves as being bound by ‘fetters’
and ‘cords’. For them, the Davidic rule is oppressive and restrictive. This
description, though, must be understood as an expression of their murderous
murmuring and not as an accurate, or true description. In fact, the psalm will
end with a claim completely counter to the wicked: “Blessed are all who seek
refuge in him.”
While the reason is never described, these nations
have become entranced by a form of power different than Yhwh and his anointed.
Moreover, the psalm does not describe to whom they want to be bound, to what
god or what king. It merely describes their rebellion in terms of freedom. It
seems as if they want to be the kings of the earth, but an earth without
demarcation, form or structure. They want the freedom to do what is right in
their own eyes; they want to establish (one might say…) a dictatorship of
relativism. They want chaos as their king. The wickeds’ aim is aimless. When
Yhwh responds, he points to two particularities—his king and his mountain—both
of which he has established as his covenant fountains on earth.
Finally, the nations’ rebellion is summed up in
these two lines. They will not speak again. Yhwh’s response to them will,
likewise, consist of two lines, with the king himself filling out the rest.
The Enthroned One / laughs in
heaven
Yhwh mocks them.
We
recall that Psalm 1 began in the negative. It described what the blessed man
avoided before it described what the blessed man desired. We saw that by
opening the psalm in that fashion the psalmist caused the listener to pay
closer attention to the blessed man; the hiatus created a sense of tension that
was then released when Torah arrived. Here, something very similar happens. The
psalmist’s opening questions create anticipation for a resolution, a desire for
a denouement, an unmasking of the nations’ absurdity. The psalmist now provides
that resolution, but in a truly shocking manner.
By way
of analogy, when the nations gathered together to build the tower of Babel,
they constructed what on earthly terms was monstrous. The text gives one that
impression. However, when Yhwh shows up the entire drama is reversed. What
appeared daunting is now portrayed in a very comic, dismissive light. Yhwh is
described as “looking down from heaven” on this tower that was being
constructed to reach the heavens. It is deeply funny and in much the same way
as this psalm. There is a heavenly perspective that renders man’s pretentions
to be comic and, as we have said, partaking of the absurd. But not until the
heavenly perspective is revealed.
Of
course, one must ‘breathe heaven’ before one can, like the psalmist, look upon
such things not merely as misguided but with puzzlement and as absurdities.
First,
the shift to heaven and ‘the Enthroned One’: the psalmist has described the
rebellious ones as “earthly kings”. And his perplexed questions about them has
engendered a sense of deep superiority to them. As such, the psalm has already
alienated the reader from the nations in an upward fashion. One has been
‘looking down’, as it were, upon them. This is not simply geography. Yet now,
without any preparation, the psalmist turns our gaze not only to heaven, but to
the very throne of Yhwh. immediately dra
The psalmist accomplishes several remarkable things at once in these two lines.
First, until this verse the psalm has really been framed more as a question
needing an answer, and building toward a resolution when the nations’ mask of
arrogance will be removed and they will be revealed, to the world, as the fools
they really are. As such, there is an unreal quality to the first few verses. The
nations have been, in a sense, bracketed and, as such, the psalm has felt The
murdering murmur is here met with laugher in heaven and divine mockery. The
contrast could not be more abrupt. On some level the reader has already been
put in a position to hear this laughter; the psalmist’s question of ‘why..’
distances the reader in a state of superiority over the wicked. And yet, even
with that alienation, the divine laughter catches us by surprise. The reader is
almost as disarmed by it as the wicked surely are. The laughter: Yhwh’s
laughter is, perhaps, the perfect reversal of the wickeds’ aggression. Whereas
they are murmuring murderously, and gathering in a display of unified
chaos---Yhwh, laughs. Their seriousness is met by his laughing incomprehension.
Yhwh does not meet them where they are but rather at a distance infinitely
above them.
This
laughter causes a cessation, a pause and hiatus. It forms the preamble to his
speech but its reality is so acute that it instills a visceral response of
humiliation. One almost senses that it takes place off-stage. As if the wicked
have been performing their little act only to now realize that they are
contained within a much larger play, and one whose hiddenness from them is now
only revealed through a laughter that overtakes them and surrounds them. They
did not know Yhwh; but they are now getting a sense of the one they had come to
overthrow.
It must
be pointed out here that this laughter and the violence and terror inherent in
this psalm is all of a single piece. What I mean is that this laughter is an
expression of wrathful anger; it is the wind before the hurricane, and in many
ways is more horrible. It is the response that only a person of supreme
authority could provide. And yet, as we will see, it does not originate from
the depths of Yhwh’s offense against justice, but it originates in his love for
his ‘son’, the king. The flame that erupts in derisive laughter is the flame of
love that consumes his son.
Then he
addresses them / in his anger
and in his
wrath / he terrifies them.
It is at
this point that Yhwh truly begins his confrontation with the wicked. Wrath and
terror are central concerns for the psalmist. As we saw yesterday, wrath and
terror are Yhwh’s response to attacks on his son; they originate from within
and are therefore expressions of that paternal love. Moreover, it is Yhwh’s
activity within the covenant within his son. If his son is established on his
mountain in order to mediate his justice and concern to the world, then Yhwh’s
obligation is to protect his son, and that protection finds expression as wrath
and anger. This is, simply put, the dynamic of covenant. This must, however, be
firmly set within the national scope of the psalm. Yhwh’s son is not merely an
individual Israelite. Yhwh’s son is the king who represents the people to Yhwh
and represents Yhwh to the people. He has a particular role that cannot be
applied indiscriminately to everyone. We could make a comparison—that one
cannot read the play of Hamlet correctly if one forgets that Hamlet is to be a
king. The Davidic king is a political person; he carries Yhwh’s people within
himself. As such, Yhwh’s concern for his son is but the intensification into a
single person of his concern and regard for his “first born son”—Israel. And it
goes further—Yhwh’s concern is not limited to Israel’s boundaries, because
Israel, as the ‘first born son’ is, Joseph-like, supposed to ‘feed the world’
in times of famine. Israel election is for service not mastery. The ‘nations’
that are in rebellion are supposed to be peacefully subservient to Yhwh and his
anointed, so that they might flourish within the divine light of Yhwh’s
bounty. In other words, Yhwh’s wrath and anger extends to those ‘nations’
that place themselves within the ambit of the anointed’s authority. As we will
see later, that authority is supposed to expand to “the end of the earth” (vs.
8). Yhwh is ready to give his son the entire earth and all of the nations, so
that he can quell the forces of chaos and establish shalom. So he can, in other
words, be the Adam that ‘guards and protects’ the garden.
This is
not far afield from understanding Yhwh’s wrath and anger. Again, his anger is
but the expression of his love of his son and his mission of bringing the
entire earth underneath his, Yhwh’s, throne. “Every knee shall bend….”. The
greater the expanse of Yhwh’s concern and regard, the further out the boundary
of his wrath and anger will extend. Finally, by subjecting the nations to
terror of him, Yhwh has already begun their conversion to him. The final verses
show that, even within the offered service to Yhwh there is ‘fear and
trembling’. A holy dread is maintained even there, and it leavens the rejoicing
inherent to praising and serving Yhwh (vs. 11). We should not see this, then,
as merely an ‘angry response’. Yhwh’s wrath carries within it the beginning of
a liturgy to him, no matter how much that terror will be reconfigured when
service is willingly offered. In other words, Yhwh’s wrath even exhibits his
loving concern for those who are subject to it. It is not merely defensive. His
booming and terrifying laughter, and his rage—all of it, from the beginning, is
aimed at gathering the nations back to himself like lost sheep. For those with
ears to hear, even Yhwh’s voice of wrath can be a thing of beauty
I have installed / my king
upon Zion / my holy mountain.
These
are the only lines directly spoken by Yhwh in the psalm; the remaining
Yhwh-speech will be narrated through the anointed. This is important in two
structural ways. First, these two lines represent a response to the wicked’s
two lines of rebellion. The wicked declared, “Let us tear off their fetters and
let us cast off their cords from us.” Yhwh responds, “I have installed my King
upon Zion, my holy mountain.” Yhwh’s words are meant to respond directly to the
wicked. They want freedom from “their” (Yhwh and his anointed) fetters; Yhwh
responds that he installed his anointed. They want freedom without any
concomitant binding authority over them; Yhwh responds that they are subject to
the particular king established on the particular location of Zion. When one
juxtaposes Yhwh’s response with the declaration of the wicked, one sees that
Yhwh has concretely and particularly made his anointed into not simply a seat
of his justice, but the seat of his justice within the world. Just as
Yhwh is the “Enthroned One” in heaven (vs. 4), so now is his anointed the one
enthroned upon the earth, upon the ‘holy mountain’.
The
point is profound—just as Yhwh is the only true power of heaven, so too is his
‘king’ the only true power on earth. In other words—in the Davidic king one
witnesses “thy will be done on earth as it is in heaven”. We will come to see
how the Davidic king enacts Yhwh’s will upon the earth, and how he mirrors Yhwh
in this psalm. For now, however, we should comment on the second important
aspect of these words—that they are spoken by Yhwh and not the anointed. When
the chaos kings speak, they speak as one. They are, however, “earthly kings”
(vs. 1), a clearly derogatory comment. One might say, along more Pauline lines,
that these are the “kings of the flesh”. They represent the summation of
earthly rebellion against the heavenly realm of justice and flourishing.
Moreover, when they speak, they can only speak through themselves; their
rebellion and their (supposed) freedom emerge from and are aimed at ‘the
earth’. It has no divine backing. Yet, when the psalm turns away from the
wicked and toward Yhwh and the anointed, he does not have the anointed respond
to them but instead Yhwh in order to show that the anointed’s authority is not
merely ‘earthly’ but one that has behind it this divine statement of
installation. When the anointed speaks, he speaks as one who stands within an
intimate relationship with heaven and Yhwh; he speaks from within the covenant.
He, unlike the wicked, does not ‘speak from himself’. In fact, when the
anointed speaks, he will only speak the words spoken to him by Yhwh.
A
further point to make here is the profound difference in tone between how Yhwh
speaks to the wicked and how he speaks to his anointed son. The speech to the
wicked is brisk, authoritarian and largely devoid of elaboration. It is issued
with the force of a command. It is an almost purely external word that
confronts the wicked in a type of judgment. When Yhwh speaks to the anointed on
the other hand it is full of dialogue and desire. His words to the anointed are
more than triple the amount spoken to the wicked. And, whereas the words to the
anointed are not intended to call for a response, Yhwh’s words to the anointed
actually request that the anointed speak to Yhwh, to move Yhwh into action. I
think we could say this: that the rebellious hear Yhwh’s voice as one of pure
command or statement. Yhwh’s voice, at this point, takes on the aspect of wrath
and anger and it allows for no intervening space of dialogue or reciprocity. It
is ‘abstract’ and formal in this way. The righteous however enter into dialogue
with Yhwh. Like Moses they speak to him ‘face to face’. As we will see, time
only becomes ‘history’ in the realm of the righteous, which is also the realm
of prayer and liturgy; everything that stands outside of this realm operates in
the realm of curse and of time alone (time is to history what noise is to
music).
I will tell / of Yhwh’s
decree
He said to me / “You are my
son
Today / I have begotten you”
Just ask me
and I will grant nations / as
your inheritance
and as your possession / the
ends of the earth.
You shall break them / with
an iron rod
like a potter’s vessel / you
shall pulverize them.
Up to
this point the psalm has focused on Yhwh’s external face, the one he turns
toward the wicked. As we have seen, it is fierce and authoritarian. His voice
is one of command and statement; there is no room for dialogue. Here, in these
verses, however, we look inward and we see the face he turns toward his son,
his king. It is, to put it mildly, a dramatic and profound change. This is
probably best summarized in the following way—when Yhwh speaks to the wicked
about his installing of his king, his voice is terse, abbreviated,
authoritarian and consists of two lines of speech. Yet, when king speaks,
telling of the exact same situation—his installation as king—the anointed is
not referred to as the ‘king’ but as “my son”. Moreover, he is not “installed”
but ‘begotten’. His lines to his ‘son’ are more than triple those to the wicked
and, most importantly, they consist of dialogue. The riches that this
difference points to could likely be pursued in an infinite amount of ways. In
the broadest stroke, one could begin with the observation that Yhwh’s speech to
the wicked does not contradict his speech to his son. They both announce the
king’s installation. They both speak to the fact that Yhwh is the source of
power behind the Davidic throne. In this way they are both, clearly, ‘true’.
And yet, the speech to the wicked is one of abstract confrontation. The earthly
kings, while in a state of rebellion, are not permitted to see the inner
dynamic of the covenant. They are only permitted to see that which confronts
them in their rebellion and serves to terrify them. Yhwh is, emphatically, not
speaking ‘open’ with them. In this way it is, one might say, ‘true’ but it is
shorn of the beautiful language spoken to the son. Moreover, Yhwh’s act of
installation is one that is accomplished, in the eyes of the wicked,
through a pure act of power on Yhwh’s part; it hits the wicked like a bomb. The
king is, in effect, absent and he plays no active role at all. He has been
pushed into the foreground in order that Yhwh’s blazing face might burn the
wicked with a greater heat. With the son, though, everything is different.
With
the son, Yhwh’s proclamation is itself, entrusted to the son. Yhwh speaks here,
but only through the son. This is a first, profound point, and something hidden
from the wicked. For the wicked, Yhwh’s speech must be one that only originates
from him; Yhwh’s authority is, so to speak, of such authority and power that to
admit of mediation would be to admit of a diminution in power. Yet, when we
move into the inner life of covenant, not only is the anointed permitted to
speak but Yhwh’s words are entrusted to him. This is not mere ‘accuracy’,
although it is significant that the accuracy of his words can be entrusted to
him. It is, rather, the fact that the full dynamic, the full life, of his
speech can not only be handed over to the anointed but that it is precisely in
that handing over that we come to fully hear Yhwh’s speech. What I mean is
this: that Yhwh’s full authority is actually grasped, not lessened, in the fact
that he hands over his words to his son, and that it is only in the dialogue
between them it emerges completely. This ‘authority’ cannot be understood by
the wicked, but the wicked do not have a ‘monopoly’ on a vision of Yhwh’s
authority; they have only a partial vision of it, and an incomplete one. That
is to say—Yhwh’s authority is not a neutral category that can be correctly
understood by wicked and righteous alike.
Which
moves us deeper into the profundity of these lines. When Yhwh speaks to the
wicked, he speaks of the authority of his king, established on Zion. Although
it is not stated, it is clear that his king’s authority is one that is
consonant with the range of authority that Yhwh possesses; meaning, that the
king’s authority on earth is as expansive as Yhwh’s in heaven and, therefore,
total. When the anointed speaks, however, something deeply significant is
revealed about how this authority is enacted. To the wicked, it would appear as
if the realm of the king is one that is put under his feet based solely upon
the actions of Yhwh and his overwhelming authority and power. To the righteous
though, it is based upon the son’s imploring of the father to give him the
‘ends of the earth’. In other words, and this is the remarkable point, Yhwh
delights in bringing the son into the sphere of his own authority and, even
more remarkable, of being responsive to him. It is as if Yhwh’s
authority is waiting for the catalyst of his son’s request in order to unleash
itself. This is the full range of covenant-love—it is here that we witness the
fact that love and authority coincide completely, that prayer and power are not
mutually exclusive but actually interpenetrate one another, not as if the son,
himself, had divine authority within himself (that will have to wait), but that
Yhwh’s power is one that wants the call of the beloved. The most important and
eloquent words of the psalm are the simple, “Just ask…”.
And
we can say more. Again, this psalm has a national, world-wide scope. It is the
king that operates within this ‘call-and-response’ with Yhwh. As such, and this
is the deeply moving and awesome nature of this psalm—that the kingdom of God
is actually made present by and through the Davidic king, Yhwh’s son,
requesting it. Yhwh’s borders are expanded to the same degree to which his son
requests that that authority be placed underneath him. In other words, for the
king that ‘bury’s his talents’, then little will be given. But to the king that
asks for the ends fo the earth—to him will be given the ends of the earth. And
one must pause here to reflect—this gives us a glimpse into the relationship
between Christ and his Father that is deeply moving. We find here the fact that
Jesus made this demand; that ‘asked’ his father for the ends of the earth and
his father gave it to him, and he gave it to him by incorporating the Church
into his body such that Christ’s spirit would spread to the ends of the earth.
But the impetus, the catalyst, and the life of that evangelizing spread is the
constant prayer of Christ—even today, through his ‘limbs’—that he be given the
world. The Church spreads in so far as it voices this prayer, in the Son, to
the Father.
Serve Yhwh / with fear
and rejoice / with trembling
kiss the son / lest he be
angry
and you perish / in the path
for his anger / flares up
quickly
happy are all / who seek
refuge in him.
Here, at
the end of the psalm, the anointed and Yhwh are seen mirroring each other. The
kings are admonished to ‘serve Yhwh’, just as they are told to ‘kiss the son’.
They are told to serve Yhwh ‘with fear’, and to kiss the son ‘lest he be angry
and your perish’. Moreover, they are told to ‘rejoice with trembling’ in front
of Yhwh, and that ‘happy are all who seek refuge in him [the anointed,
presumably]’. This type of mirroring is now only possible once the kings have
been terrified out of their rebellion and also seen how Yhwh’s authority is
most fully exercised through his adopting of his ‘son’. The kings now have a
proper appreciation of the divine backing of the king, and the fact that the
king now resides within the sovereign sphere of Yhwh and exercises that
sovereignty over them and the ‘ends of the earth’. They know see that the
‘king’s anger’ is one that burns not simply from within himself but is also one
ignited within the heavenly realm; it is both a human and divine wrath that
erupts at rebellion. We see here how, at the font of the Davidic covenant, is a
king whose heart is (or, should be) after Yhwh’s own heart. The psalmist can
now fluidly move back and forth between Yhwh and the anointed without
compromising Yhwh’s position as ‘father’ nor the king’s position as ‘son’; he
can, in other words, now move within the realm of covenant. Perhaps one of the
best analogies for what is occurring here is that between a man and woman—the
man must be the one originally active in the sexual act. He is the one who
delivers the seed, as Yhwh delivers and creates the covenant. However, the
woman must then apply her own inherent activity and appropriate the seed within
herself, making it fruitful. Likewise, Yhwh delivers the covenant and opens the
space—he impregnates the Davidic line—but the Davidic king must then,
woman-like, take that seed to himself and appropriate it. He must deliver as
much of himself over to the seed in order to make it fruitful—in order to bring
justice and shalom to the earth. It is, then, no coincidence that Israel will
be the ‘bride of Yhwh’ and, of course, no coincidence that that bride will find
its final and most exuberant
fulfillment, concretely, in Mary, the bride-mother of the
bridegroom-son-of-David.
Concluding
Theological Reflections
The story of
Adam and Eve is not merely the story of everyman’s disobedience, but also the
story of the fall of Yhwh’s king. Adam was the first messiah, the first
anointed king of Yhwh. He was the one who was supposed to perpetuate Yhwh’s creative
mastery over chaos and bring shalom to the earth. He was supposed to “fill the
earth and subdue it”. He was supposed to ‘take Eden to the world’. The Torah
command—the first words spoken to Adam—placed him within the creative upsurge
that began on the ‘first day’ and now culminated in Adam. Had Adam remained
obedient, ‘the kingdom of heaven’ would have become the liturgical empire of
Yhwh and covered creation. Adam’s sons would have established nations, but
nations that would have been unified under the authority of Yhwh. And those
nations would have continued and perpetuated the prodigal act of creation. But
Adam failed. And, when he failed he did not only disobeyed Yhwh but,
importantly, he obeyed the deceiver. At that moment Adam began the transfer of
creation over to Satan. Esau-like, he foolishly gave his birthright and
authority over to the trickster. The effect of Adam’s disobedience was
tremendous. Adam’s children, who should have been the patriarchs of creation
now became the fathers of national chaos and confusion. Adam’s sons, and the
nations that sprang from them, manifested Adam’s disobedience. They sought to
dominate one another but were, instead, dominated by their lust for domination.
They became the chaos waters again covering the earth. Their apogee was the
Tower of Babel (confusion).
As nations of
chaos and confusion, the nations have no inherent form or shape. They exist
purely in the twilight of the form of creation that Yhwh intended from the
beginning. They are movable shadows. The more one senses that one has perceived
the ‘guiding light’ of the nations—the more one delves deeper into the origin
of the nation—the more one comes to see that their origin is nothing but a mockery
of the why-less, and good, nature of creation. The nations are at root,
why-less as well but it is the why-less nature of chaos and disobedience. In
other words, there is not nor can there be an overarching or universal history
or story of the nations. They are cannibals. Eternally seeking to dominate, yet
eternally dominated by their lust to dominate.
More deeply still,
the nations must themselves become a lie even to themselves, just as Adam, at
the moment of his disobedience, created a story that would enable him to hide
from Yhwh (“the woman you gave me…”). The nations create myths and idols that
simultaneously reveal their disobedience and conceal their shameful lust for
domination. Disobedience generates idols, as if out of a great chaos furnace. The
tragedy of this situation is that these myths and idols become the nation’s
ethos and life; it is their world. And, as such, they are, quite literally,
trapped within their own disobedience and lie, and yet perpetuate that
disobedience and lie with every act. The Flood was nothing but Yhwh’s attempt
to stem the tidal wave that was threatening to consume the nations and the earth.
As if by the slimmest thread, however, Yhwh maintained a glimmer of creation within the covenants he established with humanity (Adam and Eve, Noah, Abraham, Moses, Israel, David, and finally Christ). These covenants maintained the ‘kingdom of God’ that Yhwh had intended for Adam to cover the earth with. They fluctuated and contracted with astonishing speed (even to the point of Isaac). And yet, through these covenants, creation remained tethered to Yhwh. These covenants carried within them the first promise made to Adam and Eve—that from Eve one would be born who would crush the deceiver’s head. A ‘new Adam’ would come from Eve, a new messiah, who would reverse the flood of chaos that Adam had unleashed. And this new messiah would establish the true nation that would begin again the work of Eden. This new messiah would begin to rebuild the Temple of Creation. He would establish a ‘ground zero’ from which Yhwh, through him, would begin again. Clearly, we begin to see the origin of the Davidic covenant and Solomon’s erection of the Temple on Zion, the Temple that, in Chronicles, directly mirrors creation itself.
As if by the slimmest thread, however, Yhwh maintained a glimmer of creation within the covenants he established with humanity (Adam and Eve, Noah, Abraham, Moses, Israel, David, and finally Christ). These covenants maintained the ‘kingdom of God’ that Yhwh had intended for Adam to cover the earth with. They fluctuated and contracted with astonishing speed (even to the point of Isaac). And yet, through these covenants, creation remained tethered to Yhwh. These covenants carried within them the first promise made to Adam and Eve—that from Eve one would be born who would crush the deceiver’s head. A ‘new Adam’ would come from Eve, a new messiah, who would reverse the flood of chaos that Adam had unleashed. And this new messiah would establish the true nation that would begin again the work of Eden. This new messiah would begin to rebuild the Temple of Creation. He would establish a ‘ground zero’ from which Yhwh, through him, would begin again. Clearly, we begin to see the origin of the Davidic covenant and Solomon’s erection of the Temple on Zion, the Temple that, in Chronicles, directly mirrors creation itself.
This is the
situation of Psalm 2. These nations have congregated together and are seeking
to overthrow Yhwh and his anointed. The tidal wave of the nations’ chaos is
lapping at the base of Zion and seeks to sever the earth from Yhwh’s dominion
and to return the earth to its primal state of confusion and chaos. It is not
simply the battle of one nation—Israel—against ‘the nations’. It is the battle
of Adam against the forces that seek to introduce disobedience and confusion
into creation. It is, in other words, a cosmic battle.
Undoubtedly, the
confusion that the nations live within and perpetuate is legion. Psalm 2,
however, is concerned with a particular form—their confusion regarding Yhwh and
his anointed. As far as the nations are concerned, Yhwh and his anointed are
the guardians of one nation among many; to them, the king is simply a
king-among-kings, Israel is simply a nation-among-the-nations, and Yhwh is
simply a god-among-the-gods. Here, we must recall the moment of Adam’s lie,
because what we will find is that Adam began this confusion. First, Eve was the
one who was seduced by the Deceiver, not Adam. Adam, however, obeyed Eve and
ate. Second, when Yhwh confronted Adam, Adam himself became the deceiver. Adam
blamed Yhwh for giving Eve to him. He did so, hoping that Yhwh would judge Eve
and vindicate him; he was trying to curry Yhwh’s favor over against Eve. This
was the beginning of every national myth—that the Divine favors one in contrast
to another. Adam sacrificed Eve in order to win Yhwh. More deeply still, when
Adam sacrificed Eve he irrevocably became a lie to himself, because Eve was
‘built’ from his very side. She was his own flesh. To sacrifice her in order to
curry favor with God meant that Adam would always remain hidden from himself by
the myths he creates to justify his shame. From that point on, every ‘son of
Adam’ that would come to be a nation’s founder would perpetuate this myth; and
at the root of every national myth is the sacrifice of others and that nation’s
own concealment from itself. National identity is grounded in a struggle to
curry divine favor and to sacrifice; it is not grounded in peace. There is only a will to power. As such, national
identity is violence by necessity.
That is not
Israel’s story. Israel sees all of this as the enactment of Adam’s lie. Strikingly,
Israel is the only nation that does not trace its origin back to some hero or
to a particular protective deity, but all the way back to Adam, who stands as
the father of all men, and to Yhwh the one god. For Israel, creation is not, at
its root, struggle and violence but shalom and joy. Israel, then, does not see
itself as a nation-among-nations. Instead, Israel is Yhwh’s beginning to
re-Adamize all of creation. Yhwh and his anointed are not a barrier to freedom,
as the nations necessarily assume, but are, instead, the only ones in whom
freedom from chaos can be achieved. The difference this makes is not merely
quantitative. Israel is not simply ‘adding more power to Yhwh and his
anointed’. It is not simply rhetoric. It is a qualitatively different story. It
is so profoundly at odds with the nations understanding of themselves, of
creation, and of the divine realm that when it confronts them, it necessarily
becomes a force of destruction.
And
yet, as we see in this psalm, the dialogue between Yhwh and his anointed does
retain the original warmth and intimacy of Yhwh and Adam. This is the shalom of
creation as manifested within the covenant between Yhwh and his messiah. Within
the rupture that Yhwh created by his wrath he reveals to the nations the true
identity of his anointed—and, more profoundly still, their own identity—and the
fact that divine power is not one of struggle but of sacrifice, of handing
one’s self over to the other.
All
of this culminates in Christ. As the Second Adam, and the Messiah-of-God,
Christ will not sacrifice his Eve in order to win the favor his father.
Instead, he will sacrifice himself on her behalf. He will enact, for her, the
primal moment of creation and display for all the nations the true and glorious
realm of divine sovereignty. Adam hid when he disobeyed and then lied in order
to curry God’s favor and sacrifice Eve. Christ exposes his nakedness to the
nations and to God, and sacrifices himself for Eve. In so doing, Christ remakes
the primal lie and disobedience that led to all of the nations’ myths and
idols. Christ’s sacrifice became a moment of true divine unveiling so profound
that man, and the nations, could never again revert to their original myths and
idols. As Paul would say, Christ enacted the true spousal relationship between
man and woman and, in so doing, he gave birth to a resurrected creation, a new
Temple, a new nation, and a new priesthood. For those who stand within this
‘New Covenant, they will come to experience the profound reality that within
God himself he is a perpetual ‘handing over’. That the inner dialogue between
Yhwh and David is grounded in the dialogue of love and sacrifice that is God.
Ps. 1 (in the beginning)
Psalm 1
One
of the first times that Adam hears Yhwh's voice, it comes to him as provision
and command. Yhwh tells Adam that he is free to eat from any tree in the garden
but that he must not eat from the tree of the knowledge of good and evil and
that if he does so he will surely die.
This primal sound will echo throughout history. When Israel is about to
enter the Land, Yhwh will, in the form of Torah, put before them 'life and
death', and they are to choose life so that they can live long within the Land.
And when Jesus is baptized he is immediately driven out into the dessert, so
that he can 'choose life'. It is, then, no surprise that the Psalter opens with
the same dynamic. Blessed is the man who avoids the wicked and who cherishes
Torah. We witness again, here, a type of 'first man', a 'first born', an Adam.
Curiously,
Yhwh's first words to Adam required of him to make a choice. Yhwh spoke to Adam
and awoke his freedom. More fundamentally, Yhwh, in the very first instance,
told Adam that freedom was only such when he chose to obey Yhwh. Disobedience
was not freedom; it was death. As such, it is important to recognize that
Yhwh's command itself already bore the markings of a type of knowledge of good
and evil. Yhwh put before Adam the choice between obedience and disobedience.
It is not our place here to investigate what exactly the 'knowledge of good and
evil' was in this regard. It is simply to point out that Adam's (e)very
movement will be, and always-already is,
a response to Yhwh.
And
that is where the Psalter opens in Psalm 1. It begins with the blessed man's
avoidance of the wicked. It begins with a decision. More to the point, it
begins with obedience.
Blessed / the man who has not / walked by the
counsel of the wicked
and has not / stood in the way of the sinful
and has not / sat in the gathering of scoffers.
The
psalter's opening is anything but an introduction. There is no genesis-like
backstory. Yhwh is not the first person to appear. Instead, it opens as if in
the midst of the story. It is man-in-action. We are, as readers, simply thrown
into the psalm. It places before us an ideal, blessed man, and asks us to watch
him and to contemplate him.
For
the blessed man the world is charged with the reality of good and evil. They
are different spheres of activity, and they are realms that man does not so
much perform as inhabit. The blessed man is attuned to the fact that the one
who acts out either good or evil does not so much act out a power that lies
within himself, as that good and evil take him into the sphere of its own
power. In other words, to perform evil is to become encompassed by evil and be
performed by it. This stands in line with the fact that man was first spoken to
and did not himself first speak. Man is a response. Good or evil, when
performed-as-response, are therefore prior to man and something man inhabits.
It is more true to say that good and evil perform through man than that man
performs good and evil.
Once
we come to grasp that evil is a sphere of activity we perceive that it is more
like a dark flame than a passive reality brought forth through voluntary act.
This is why the blessed man's avoidance of evil is total and absolute. It is
always already more than the act performed and, as such, it is like a
contagion. Again, we should recall Adam. Evil manifests itself through the
insinuating voice of the serpent. It beckons, it tempts and it distorts. It is
a lion seeking to devour. To simply be in its presence is to already be in the
presence of a voice that draws into itself. It is this 'pull of evil', or this
'contagion', that the blessed man is aware of and wholly seeks to avoid. We are, in other words, to see in the blessed
man's avoidance what Adam failed to do.
The
question we must ask ourselves at this point is why the psalm starts off in the
negative. Why does he begin with what the blessed man avoids rather than what
he desires? There are surely several reasons, but the one I want to focus on is
the way this affects the listener. In brief, by opening the psalm in this
manner, the psalmist makes the reader actually begin performing the necessary
steps toward blessedness.
By
opening in the negative, the psalm makes the reader begin the act of
discernment. By withholding what the content of blessedness is, or what its
source is, the psalmist performs an act of purgation. It is like an act of
contrition or confession, because it calls forth the act of avoidance. It looks
to cleanse the vessel before the content is poured into it. If reality is
itself a choice between these two spheres, and if those two spheres are
inhabited by an act of the heart's discernment and by obedience, then the
psalmist is here creating the reader's heart into a fitting receptacle for
Torah.
But / in Yhwh's Torah / is his delight
And in his Torah / will he muse / by day and night
The
psalm now shifts from avoidance to delight. And in this shift we come to
suspect that the blessed man avoidance of the wicked may have a deeper
significance. What I mean is this, the first three lines lead us to believe
that the blessed man is actively avoiding the wicked; that he finds something
tantalizing about it and therefore must make a concerted act of will to avoid
it. However, what we find here makes us question that. Here, we find that the
blessed man's will is actively drawn toward another sphere of reality. Torah is
his delight. So, his avoidance of the wicked may in fact be his movement toward
Torah. In other words, it may be that the blessed man does not need to exert
much energy to avoid the wicked. To him, the wicked display neither grandeur
nor magnificence. Instead, they are boorish and dull in comparison with the
glory of Torah.
If
this is the case it points to a rather profound reality of Torah's power. A
thing of beauty is not merely an object of attraction. A true object of beauty
is, so to speak, a world in itself, sovereignly bending the entire person
according to its contours. One is captive to it; transfixed by it; and changed
by it. There is no place to hide in its presence. Beauty is, quite literally,
powerfully creative in this way. For the blessed man, Torah is this most
profound object of beauty. And it creates in him the proper response to evil,
which is, from the standpoint of desire, no response at all. Within the world
of Torah, evil and wickedness hold no sway.
The
question then becomes what the blessed man sees in Torah. For the moment, we
must be prepared to let that answer develop. It is no coincidence that this
psalm stands as the gateway to the psalter. The remaining 149 psalms will each
provide their own answer, as the Psalter itself is a part of Torah. That said,
what we can see in this psalm is that, as an object of beauty, Torah displays
that coincidence of freedom and form. It is law, but it is boundless. It is
instruction, but it is life. It has a clear shape, but it is prodigal. It
displays, in other words, the light of wisdom.
It
is for this reason that Torah can counter the communion of the wicked. Verse 1
shows a clear totality-walking, standing, sitting-the entire scope of human
activity. For Torah, however, it does not merely encompass the scope of the
wicked-it is something that is present continuously. We might say that the
Torah provides an abiding, ever-giving presence. Man's ability to meditate on
it 'day and night', displays Torah's ever-greater depths and fecundity. This
will have important implications for the images we will explore later, where
Torah is likened to a water of eternal life.
So shall he be /
like a tree
Transplanted /
by running waters
Which shall
yield its fruit / in its season
And its foliage
/ shall not wither
Torah
and the blessed man now become an image drawn from the natural world. In fact,
the psalmist will now portray both the wicked and the blessed in terms of
vegetation and harvest. Each will get four lines.
The
blessed man and Torah, the tree and the water: It is here were we find the most
succinct and layered exposition of the blessed man’s relationship to Torah.
When the psalmist spoke in non-metaphoric language, he described the blessed
man as being attracted to Torah, of it being “his delight” and what he
“meditates upon day and night”. It was certainly a thing that attracted the
blessed man but it was described more as an object the blessed man approached.
Torah was, in this regard, somewhat one dimensional and passive. And, for the
psalmist, it did not capture the full dynamic at work. Accordingly, he reached
for the image of the tree and water. Here, the psalmist maintains the original
dynamic of the blessed man appropriating Torah—he ‘drinks’ from it. However,
the psalmist, importantly, begins not with the blessed man approaching Torah,
but with the blessed man being ‘transplanted’ next to running water. I find
this highly significant. Meditation upon torah moves one from, we might
say, a profane sphere to that of the sacred. Torah mediation is, in other
words, ecstatic; it moves one out of oneself and into Yhwh’s realm. This is
both the reality and experience of Torah meditation. One is, and senses oneself
to be, ‘transplanted’ in a more-than-literal fashion into Yhwh’s realm.
Understood from the more accurate realm of poesis, we see that the foundational
movement is not of the blessed man to Torah, but of the blessed man being taken
into the realm of Yhwh’s delight. We might draw a parallel in this way: in Exodus
there is a fascinating interplay between whether or not Moses sees Yhwh ‘face
to face’. In some verses it appears he does not, while in others it seems clear
that he does. Moreover, there is the permanent declaration that “no man can see
the face of God and live.” Whatever the purpose of these verses, one thing we
can glean is this: that Moses ‘sees the face of Yhwh’ most profoundly when he
comes to know that he is seen, absolutely, by Yhwh.
That
experience of Yhwh’s ‘always-already’ prior and absolute gaze is, in fact, what
is experienced when one ‘sees the face of God’ (at least in part). What seems
to be a one-way street of gazing at Yhwh is understood to be a much deeper
two-way street whereby Yhwh was and is the one who is and was. And something
analogous, I would argue, occurs in Torah meditation. On the surface, it
appears that man approaches Torah and takes Torah to himself. However, for the
blessed man, the opposite is largely true. Once he crosses Torah’s threshold he
comes to see that he did not so much take Torah to himself but Torah
transplanted him in some profound and prior act of ecstatic appropriation.
Not so / the
wicked
but they are
like chaff / that wind tosses.
Because
of the way the psalmist has structured the psalm, these lines come laden with a
meaning and depth they would otherwise not have. The nature of the righteous as
a transplanted, nourished tree, that produces fruit and does not wither,
creates a stark and profound contrast to the wicked. The wicked become the
inverse of the righteous. Whereas the righteous are ‘transplanted’ to
life-giving and sustaining waters, the wicked are ‘moved’ by being ‘blown away
by the wind’. Whereas the righteous ‘bear fruit in season’, the wicked
are merely the ‘residue’ and useless portion of a harvest. Whereas the
righteous are solid and substantial, rooted in the earth, the wicked are, in
many translations, ‘blown away from the earth’. And whereas the righteous ‘will
not wither’, the wicked are annihilated.
Importantly,
too, ‘nature’ as it is poetically described, operates in both spheres—as
‘living water’ for the tree and as the ‘wind’ that blows away the chaff. There
is no natural force that is supplanting, or strengthening, the wicked. Of
course, nature is not accurate. It is creation. The water is not ‘merely water’
and the wind is not simply a breeze. Yhwh’s presence coheres within the rhythms
of creation. And that ‘rhythm’ is torah. As such, torah is not merely what
operates for the righteous—it also acts as a force against the wicked. It is
both life giving water and destructive wind; it is both blessing and curse. And
it is here that we need to signal something that we will return to later in our
concluding theological reflections. In Genesis, when Yhwh creates he does so
through separation: light from darkness, water from water, earth from water,
and so on. This act of separation does not end, however, with the material
world. It is, in fact, culminated in the first words Yhwh speaks to Adam. It
is, as we have already said, profoundly significant that the first sound Adam
hears from Yhwh is in the form of blessing and curse; it is an act of
separation. Adam is given all the trees of the garden but one. What we see here
is the culmination of Torah (man is Torah’s Sabbath so to speak), as it is
finds expression in a command issued to Adam. The torah that shapes the cosmos
is consummated in the torah command to Adam. Discipleship and cosmos are not
two separate realities. As such, Adam’s obedience is itself a participation
within the order of creation itself. When he obeys he drinks from an
ever-flowing water. When he disobeys he is ‘cast out’, or ‘blown away’, in
curse-like exilic fashion, and in a further act of separation. This is why the
rhythms of nature are intimately connected to the expressed commands of Torah
to mankind.
That
said, torah’s destructive, curse capacity is always penultimate to its ultimate
goal to fill the earth with abundant life. When it is destructive, it is such
in order to allow life to flourish more fully, more prodigally, more festively.
It is not, in this way, a force in and of itself, but merely a responsive one.
The wicked are but mockeries of the righteous and their reality, such as it is,
is only parasitic. Torah as blessing is a force in and of itself; it is not a
response but a why-less, infinitely self-initiating gift (it is grace we might
say). And this is why creation itself can operate as the poetic vehicle (or,
sacrament(al)) of Torah—in its totality, from water to wind, it is a torah
enactment. The implications for this can be stunning. Torah and creation can
mutually enlighten each other. The more one reflects (or, meditates) upon
torah, the more creation opens, in its totality, as torah-enactment.
Conversely, the more one reflects upon nature, and its boundless rhythms and
possibilities, the more one comes to see the abundant, life giving nature of
torah; to look at creation (not ‘nature’) is to see torah; to see torah is to
see creation. This can, of course, open up possibilities on meditatively
incorporating creation’s destructive capacities into a vision of torah, which
is something I find rather unique.
Therefore / the wicked shall not rise up / in
judgment
Nor sinners / in an assembly of the righteous
For Yhwh knows / the way of the righteous
But the way of the wicked / shall perish
It
seems to me there are at least two possible interpretations of these lines: 1)
because the wicked have been 'blown away' by the wind, they no longer can seek
a voice in the room of judgment (they are no longer present); or 2) that
because the wicked are so insubstantial, they are unable to represent a threat
to the righteous when judgment is rendered (still there, but not a threat). The
first interpretation tends more toward an apocalyptic reading-a time when the
wicked are no more. The second tends more toward an ongoing perception of the
fate of the wicked 'in time'. But are
these mutually exclusive? Or, more importantly, does the psalm justify both
readings (can we see with both eyes)?
I
think both interpretations are valid and, in fact, enlighten each other. These
lines, if read within the structure of the psalm, mirror the opening lines.
There, it is the 'counsel', 'the way', and the gathering-of the wicked. Here,
we have 'judgment', 'an assembly' and 'the way'-of the righteous. There, the
wicked 'were present', but avoided by the righteous. Here, the righteous are
gathered in communion, but the wicked are absent. What has changed of course is
the two-fold movement of water and wind. The righteous have been planted and
the wicked blown away. Moreover, the righteous have been planted as in a grove,
together. They are now 'an assembly', whereas before the psalm gave the
appearance of the isolated blessed man avoiding the 'assembly of the wicked'.
Their tree-like solidity is a result not merely of an individual made firm in
Yhwh, but of an achieved unity and communion of the righteous. The wicked, by
contrast, have been separated-they are the discarded/separated chaff.
Originally, they were unified; now, they are separated.
This
separation causes them to be weak-to be subject to being blown away by the
smallest wind. This is no gale force wind. It is the breeze that allows the
heavy harvest to fall, cleansed of the chaff. This is one reason why I think
the closing lines could be read in both ways-it could be that the righteous
have now been cleansed of the wicked to such a degree that they now 'sit in
judgment'. They are now the ones with authority and power. This must, however,
be the result of an historical act of judgment that caused the wicked's
downfall. It is not simply an interior, moral overturning.
The
issue, then, is whether this 'act' is profound enough to be considered an
apocalyptic act, whereby the wicked are utterly removed, or it is a more
'mundane' historical act. In the end, I think this may obfuscate, more than
anything else. What we find here is that the 'realm of the wicked' has been
made present, and it has been made present by and through an act of Yhwh-his
act of "protecting the way of the righteous." Whether or not this
manifests itself in a more 'typical' fashion or a more dramatic one, is really
beside the point. The point is that the blessed man can be assured that Yhwh
will protect him. And, if it is a more 'mundane' protection, that only speaks
to the greater act that will come, such an act being present like a seed
contained within the psalm, ready to grown when watered (as Lazarus is a seed
of the resurrection). Every mundane act can be seen as a harbinger for the
greater, final act.
Finally,
however, when addressing this question we must take into account that this
psalm is the first psalm-the gateway to the psalter. It seems to me that there
should be a presumption that this psalm is intended to hold the weight of the
psalter and, as such, can and should be read in as expansive way as possible.
It must have, potentially, the entire psalter in it. And, therefore, it should
be able to be read in the more 'mundane' wisdom fashion and the more dramatic
apocalyptic fashion. Both readings making clear that when Yhwh acts on behalf
of the righteous the wicked will be shorn of their power and blown away (from
the face of the earth). The beauty of this vision should be the 'delight' that
the righteous man contemplates in Torah (vs. 2). He looks forward not to
judgment-as-such, but to a time when the power of Yhwh, as expressed in Torah,
will out, will shine forth, uneclipsed by the wicked and saturating the earth
in its full, bountiful, festive and prodigal power.
Concluding
theological reflections
In
the beginning was the Word, and the Word was with God and the Word was God.
This Word was that through which the world was made and it was the Word that
gave life and light to man. The Word was cosmos and command. It was, in other
words, what we have come to see as Torah—that which created the world through
the act of separation and that which provided man the commands that gave him
life. The Word was the first word spoken over the depths, and it was the first
word spoken to Adam.
The
Word, however, was not to end with Adam. Adam was to hand over the Word to Eve
and they, together, would hand it over to their children. This would become the
ever-expanding fruit of the Word or, said in different terms, fruit of the
Vine. It both constituted and planted Adam and Eve in the Garden’s
holy-of-holies and it would produce in them a fruitful abundance, covering the
earth with a type of temple holiness.
That
is how it should have been. And that is what this psalm places before us. We do
not find here simply a moral man, but a blessed man. A man who participates
within the prodigal, life giving Word by and through his delight and obedience
to that Word and who therefore lives a life of bounty (cosmos) and justice
(command).
More
deeply, the first word to Adam was the culminating Word of creation. It is a
momentous thing to consider: that the radiance and glory of the cosmos
culminates in obedience. That the ‘goodness’ Yhwh sees in the cosmos (its own
docile obedience to his Word) is intensified and made perfect in man’s
obedience. As such, the particularity of man’s response to Yhwh—history—is the
consummation of cosmos. History is not dwarfed by the magnitude of the cosmos
but is, instead, its culmination.
This
obedience, this supreme goodness of history, this ‘way’, is what Yhwh ‘knows’
as a man intimately knows a woman, and it is what Yhwh cherishes and protects.
One might say that it is the heart of Yhwh on display.
Yet,
we must move deeper still: Yhwh and Torah produce a dynamic power, an
‘ever-living water’, that perpetually nourishes the blessed man and causes him
to perpetually produce fruit. One can detect here a three-fold pattern of Yhwh,
Torah and power. Torah does not end with the blessed man. Its appropriation by
man causes an explosive and dynamic power to be unleashed. This is the
festivity, the prodigality, of Torah and is, we must add, the ultimate aim of
Torah. Just as Torah begins in a why-less gift from Yhwh, it also ends in a
type of why-less banquet and joy. Prodigality is the alpha and omega of
creation.
And,
once this dynamic is perceived, we can then understand this psalm in a deeply
Trinitarian way. When the Word becomes flesh, the entire momentum of cosmos and
obedience are incarnate in Jesus. He becomes, in and through his obedience, the
Adam-that-should-have-been, and the blessed man of this, the first psalm of the
Psalter. Every step of obedience that he takes incarnates the Torah more and
more, to the point where, on the cross, Torah has been fulfilled (“It is
finished…”) and his very side is pierced and from it flows the sacramental
elements of blood and water.
Just
as Eve was created from Adam’s sleeping side, so now is the new Eve created
from the sleeping side of the Second Adam. Crucially, though, and in light of
Psalm 1, this creation is the primal moment of Christ’s fruit-bearing. This is
the culminating, explosive power of the pierced side, when God’s own heart was
poured out in (now) living water. As such, it points forward to Pentecost and
the sending of the Spirit. The Second Adam has now become the ‘tree that
perpetually bears fruit and whose leaves never wither’. This is the Trinitarian
dynamic that Adam was created for, but failed to accomplish, and that Christ inaugurated.
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