Thursday, December 17, 2015
Ps. 8 (Majesty, mastery and liturgy)
It is commonly thought that what the “babes and
sucklings” speak is the divine Name and that Yhwh’s mastery is thereby ‘established’
putting “to rest” foe and avenger. There is merit to this. However, the psalm
seems to point in a different direction. In the immediately preceding line the
psalmist declares that he will “worship your majesty above the heaven.” It is
this act of speaking, this liturgical praise, that I believe is what comes forth
“from the mouths of babes and sucklings”. This has important ramifications for
how we understand the act of creative mastery in this psalm, for both Yhwh and
the authority Yhwh grants to man over “the work of his hands”. Of course, the
act of worship involves praise of the divine Name, and its shimmering
visibility “in all the earth”. But this
is not simply a ‘pronouncement’ of the Name. The Name is ‘majestic’, and this ‘majesty’
is “above the heavens”. The Name is, then, itself an overwhelming expression of
Yhwh’s presence and, as such, can only be expressed through an act of awed
liturgy. More deeply still is how the psalmist understands the role of liturgy
within creation and the act of sovereign power. For the psalmist, the liturgy
of Yhwh’s Name “establishes strength” and “puts at rest both foe and avenger.” This
idea is present in many places in scripture. We might think here of the liturgy
that establishes creation in Genesis, or the liturgy that brought down the
walls of Jericho and, more pertinent still, the liturgy that is reported in the
book of Chronicles at the establishment of the Temple. In Genesis, the “rest”
of the seventh day, is the “rest of Yhwh” as he comes to dwell in the Temple
that has been completed. In Chronicles, the liturgy of the Temple establishment
follows the “rest” that floods the land after David’s conquests. That “rest”
was the prerequisite of the Temple construction. In regards to Jericho, there
is no military attack but simply a ‘seven’-circling (creational circling) of
Jericho. In all of these, the liturgy is part and parcel of the act of creation
against the forces of chaos and destruction. Here, in psalm 8, these ideas are closely wed together. When man
is “made little less than God” and “crowned with glory and honor”, he is made
into the Adam-of-God that has the responsibility to guard and protect the
garden. In other words, to continue Yhwh’s creative act of establishing a
prodigal and life giving order to creation, and guarding that against the
forces of chaos and death. It is this form of ‘mastery’ that is given to man
and the authority that “sets everything beneath his feet”. The entire spectrum
of creation is set beneath man, but man-as-liturgical-man. It is liturgy to
Yhwh that establishes man’s mastery over creation. It is what “crowns him with
glory and honor”. In the words of Genesis, we might say that it is the
foundation of his “image”.
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This is powerful...and it tracks experientially with something I've felt at times while praying either the rosary or the hours. I've intermittently had a sense that the goodness of a particular prayer was less about the feeling of connection with God (which is sometimes there and sometimes not, like with any relationship) and rather about some concrete participation in anti-chaos, to use your words above. And so prayer/liturgy is perhaps more significant than we realize or see sometimes; we've talked about this before.
ReplyDeleteAnd what you say about the Name - more than a pronouncement but a majestic and overwhelming expression of Yhwh's presence. That's sort of an undergirding statement to the understanding of the concrete embodying view of liturgy as ordering mastery over creation. It all fits together intricately and is quite beautiful.
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