The act of proclamation, of ‘making Yhwh known’—it is all an
act of display, of publicly disclosing Yhwh to the world. There is a momentum
in this psalm that moves from hiddenness to openness, from something small to
something great. We see it first in the story of the Wandering, when, after
Yhwh delivers the covenant promise to Abraham, Israel is described as “few in
number, a tiny group, and temporary residents in it [Canaan].” Within this
smallness, though, Yhwh speaks his final words of the psalm—“Do not touch my
anointed ones, to my prophets do no harm.” These words of protection are
crucial for a group that lacks any authority or glory of their own. The divine
Sovereign has spoken over them with a power equal to the power of the covenant
he spoke to Abraham. This, too, this act of divine protection, is an outworking
of the covenant-memory of Yhwh. It, so to speak, is the first chapter of the
story.
From there, the story takes what seems to be a nose-dive
into further obscurity. Yhwh “calls forth a famine to befall the country and
breaks every bread stick.” Almost comically, the covenant moves forward yet
again through an act of seeming failure. Joseph is “sent by Yhwh” but “sold as
a slave. His feet were forced into fetters, his neck was put in irons…” The
outworking of Yhwh’s covenant memory is not a straight line. It does not move directly
from the bottom-to-the-top, from obscurity to clarity. Instead, it seems to ebb
and flow. Note how Joseph is “sent”
by Yhwh as a slave, but when Joseph is freed the “king” “sent and set him free…he
put him in charge of his palace, to rule all his possessions…”. It is an
incredible detail. Joseph is “sent” twice. On the one hand, the psalmist shows
the divine action as working directly through a slave, while the “king” is the
one who operates to free Joseph and lift him to glory. What is crucial, though,
is that the psalmist sees all of this as the outworking of Yhwh’s covenant
memory. And yet, at the height of this, when it could appear as if the covenant
memory is about to be fulfilled—Israel “came to Egypt.” They temporarily are
riding the crest of the wave—they have, in contrast to their earlier “few in
number”, become “abundantly fruitful and too numerous for their foes”. Yhwh
then, in a seemingly complete reversal, “turns their [the Egyptians] hearts to
hate his people and to trick his servants.” At this point Yhwh seems to be
acting against his previous words of protection—“do not touch my anointed ones,
to my prophets do no harm.” Instead of offering protection, it appears as if
not only has he torn down that wall but actually invited the Egyptians through
the breach. And yet, what we come to see is that this has happened before—with Joseph,
who Yhwh “sold as a slave”. Although not directly mentioned, there was Abraham
before Joseph, who left Ur for Canaan. It is intriguing how this act of faith
is not mentioned but clearly alluded to. Are there certain patterns that emerge
here? Or is Yhwh’s outworking simply “mysterious”? Is the psalmist attempting
to say that even at the ebb and darkness of Yhwh’s outworking the people should
keep faith? Or, can we detect something more than simply the darkness of faith?
We will contemplate that in another reflection. For now, the point is to
highlight this rise-and-fall-and-rise of Yhwh’s covenant memory. Regardless of
how we understand it, the psalm is moving toward a climax.
It is during the exodus that this movement of hiddenness and
obscurity clash and eventually resolve themselves. It begins, as we have said
before, with Moses’ and Aaron’s “announcing among them [Yhwh’s] signs and
marvels…”. Then, just as Joseph and Moses were “sent by Yhwh”, now darkness is “sent”.
It is the first of the series of destructive plagues. Importantly, it is here
in the story, although it is not mentioned in the psalm, that the divine Name
is given to Moses. I believe this to be highly relevant to what we are
exploring because the Name, in a very real way, instigates the exodus plagues.
Once the name is delivered, and once Moses and Aaron ‘announce’ Yhwh’s marvels,
there is a crescendo. The Name destroys a nation (Egypt), from the bottom to
the top, and delivers another nation (Israel). All of the obscurity and hiddenness
of Yhwh’s covenant memory, as well as all of its manifest openness, collide here.
The nations is laid waste, but in the midst of its being laid low, Israel is
protected and emerges “with silver and gold”. They have, in a way, become the
Joseph-who-rose-to-power-in-Egypt, except here Egypt is not lifted up with
them, but laid low.
Once Israel begins its journey to the Land, everything that
occurred in and to Egypt is now completely reversed for the sake of Israel. In
Egypt, where ‘vines and fig trees grew’ and where there was ‘plant and produce’,
everything is annihilated. And yet for Israel, who journeys into the wasteland
of the dessert, “quails come” and “food from heaven”. Rocks “are opened and
water gushes out”. The water “flows like a river through arid places”. It is as
if the glory of the Land is already present to them in the dessert. Yhwh is
raising them to glory, to a manifest people of shining authority, in the midst
of a dessert. There can be no mistaking it—it is evident, it is clear, it is no
longer hidden. The shadows of Israel’s past are beginning to dissipate as they
move closer to the Land.
Once they enter the Land, the people themselves become a
proclamation of Yhwh. They become visible blessing of Yhwh. “He gave them the
lands of the nations, and they enjoyed the fruit of the people’s toil…”. We
will contemplate the final two lines later. For now, we should recognize this
movement from obscurity to glory, and how the end of Yhwh’s covenant memory is
the lifting up of his people into his astonishing blessing (his glory) in the
Land.
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