There are many psalms dealing with a psalmist who is
unjustly attacked, either through some type of court proceeding or through
violence. Typically, there is a reason given for the attack. The attackers are
envious of the psalmist; they want to take down the king; they want his wealth.
But sometimes, as here, there is no reason given in the psalm. The accusers, or
at least the accusations themselves, do not appear to have any justification.
Like the serpent in the Garden, they simply appear from some why-less place,
and attack the psalmist from the darkness. They are, as some psalmists describe
them, like a snake in the grass. Because there is no discernable reason for
their attack, they cannot be avoided or anticipated. All that the psalmist can
do, as the psalmist does here, is implore Yhwh for help and rescue.
It is, I think, important to pause over this because it
delves into an important aspect of how evil is portrayed in this psalm. The
attacks come “without reason” (3). I think this lack of reason, this lack of
form or shape, is why the psalmist finds them to be, fundamentally, a lie.
These are “deceitful mouths” (2) that have opened against the psalmist. They
are “lying tongues” (2). One has the picture here of gruesome, almost absurd,
images of gaping maws, of disembodied or largely extended (and distended)
mouths and tongues, surrounding the psalmist. He is—surrounded by words, by
lies, by deceit. The image is crucial and poignant. The fact that these evil
men are portrayed as mouths and tongues points to the grotesque, misshapen, and
inherently absurd nature of their accusations. It is a disturbing, dramatic
image.
The disturbing nature of the image mirrors, or is a
reflection of, the words spoken. The curses are of a profound, all-encompassing
destruction—the lies seek the destruction of his very life; they want his
children to be childless; his wife to be a widow; to leave his entire family
penniless and without aid or consolation of any kind; and for all of his assets
to be exacted. This is the destruction and death. But, there is something they
do want to live on, to abide in perpetuity—they want his parent’s sins to stand
in Yhwh’s presence forever. This ‘abiding presence’ of sin is important to note
because whatever is in Yhwh’s presence participates in Yhwh’s own Forever.
Yhwh’s presence causes things to endure beyond what they could on their own.
Outside of Yhwh’s presence, everything is vanity and everything decays. What we
see here is the complete and shocking reversal of what is usually prayed for.
Typically, a psalmist asks for goodness to be in Yhwh’s presence. Here, the
accusers ask for Yhwh’s presence to ignite a perpetual dark-flame. This is the
opposite of resurrection power—it will cause the ongoing and perpetual
destruction of the psalmist and all of his family line. They will never escape
from this because it will be perpetually remembered and enacted by Yhwh.
There is another image that is worth pausing over—and that
is the concluding curses. There, the wicked engage in a type of cursing that is
very close to other types that we see in the psalms. The wicked state, “He
loved cursing, may he experience it / He did not like to bless / may it keep
its distance from him. / He made cursing his habit / may it seep into him like
water / into his bones like oil. / May it be like the clothing he wears, / as
tight as the belt he always has around him.” Here we find the familiar logic of
punishment—it works in reversals; it ‘boomerangs’ back upon the person. If the
psalmist kept blessing away from his mouth, then blessing should be kept from
him. Conversely, if he was familiar with curses, then curses should become
familiar and close to him. That logic is familiar, the imagery is not. He wants
the curses to “seep into him like water, into his bones like oil”, to be kept
close to him “like his belt.” And it plays an important point in the psalm.
Later, the psalmist describes himself as being so thin from fasting that his “knees
cannot support me” (24). He is becoming a wraith through religious deprivation,
probably in an attempt to gain Yhwh’s favor. He appears to be a physical emblem
of shame. It would not be surprising if other saw him as carrying within him
the curse that the wicked have levelled at him—that Yhwh’s curses are “seeping
into him like water, in his bones like oil”. For the psalmist, though, when
Yhwh acts, he will counter all of this. Yhwh’s deliverance will be manifest. He
himself will be Yhwh’s “handiwork” (27). This deliverance will “confound” the
wicked but “gladden” the psalmist. Here is the important point—the result of
the trial will be manifest through the psalmist’s body. Either he will be a
curse, with the curses seeping into him. Or he will be a blessing, able to show
forth the healing and prodigal work of Yhwh in his body.
One final thing to note about the curses levelled at the
psalmist—how are we to understand them? Are these curses simply statements that
are to be made at the psalmist’s trial or does the wicked person believe them
to be effective (meaning, to reach into the divine realm)? If we say the wicked
believe them to be effective, then the wicked believe that they have the
ability to manipulate Yhwh. It strikes me that the wicked believe they will ‘work’.
There is something deeply significant about this. In this psalm, the wicked
“mouths” believe that they can either convince Yhwh himself that the psalmist
is wicked or that Yhwh is indifferent to the fact that their words are not
true. The first option, if true, would be terrifying in that the wicked would
be able to harness the power of heaven to their own wills. The second is no
less terrifying in that Yhwh himself is not concerned about truth. Either way,
Yhwh would appear to be one of the many ‘gods’ of other pantheons, either able
to be manipulated or one who exhibits all-too-human traits of vanity and power
(as if he were some Baal, Zeus or Osiris).
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