Friday, June 8, 2012
Ps. 48.12-13 (Zion, the beloved)
“Walk around Zion / and go all the way / around
it – count / its towers – Consider / its fortress – traverse / its citadels –
so that / you may / describe it – to the next generation.” We have emphasized
it throughout but here it becomes crucial to see: one’s geographical location
in relation to Zion reveals one’s citizenry to her. Those to whom the psalm is
addressed have been, as far as the psalm is concerned, within the walls of
Zion. While the psalm may describe a type of pilgrimage, it seems important
that the only parties that have, thus far, been explicitly described as outside
her walls are the kings who came to make war against her. In contrast to these
kings we find Zion’s children/citizens, within the Temple, at the very heart of
Zion, contemplating God’s ‘lovingkindness’ and his many other covenantal
virtues. As we saw yesterday, those standing outside her walls in a state of aggression
toward her see Zion in her massively infused power of God; there is almost no
hiatus between Zion and God to them. For those on the inside, by contrast, Zion
is seen to actually turn toward God in act of loving praise; for them, Zion
radiates the iconic power of God precisely in her ‘turning toward him’ in
praise, in turning toward the One who dwells in her. In other words, to her
citizens Zion, as we have argued, is an emblem of the covenant between God and
Israel. Zion herself manifests it (and, participates within it), as the place
where these two parties meet “on the mountain” that is, as a home to Yhwh/God, “elevated”
and more beautiful than any other “mountain”. It is not an exaggeration to call
Zion ‘Mother’ or ‘womb’ of the covenant; in her is born the citizens of the “city
of God”, for it is in her that God dwells in his covenantal power and reality.
Zion is generative, a type of “mother of all the living” and Eve to the whole
earth. All of this prepares us for these concluding verses. Although not,
literally, central in the psalm, they are its height, the goal toward which the
psalm has been moving. For now, the citizens move outside of Zion, after having contemplated the presence within her,
and “walk around her”, examining her in a clearly loving manner (almost
reminiscent of the Song of Songs and the Lover and the Beloved). Zion is now an
object of delight and reverence. The examination is to be total (“all the way
around”) and detailed (“count its towers”). Their eyes are meant to caress
Zion. This is the height of Zion theology. And the contrast to the kings could
not possibly be greater. Firstly, the kings were—kings. From the initial
mention of them, they are set in opposition to Zion which houses the “Great
King”. Second, the kings began “on the outside” and never moved inward, their
geographical placement representing their alienation from and antagonism toward
Zion. Furthermore, the kings only ‘saw’ Zion; they never participated within
the ‘hearing’ of covenantal discourse that occurred within her walls. Finally,
and most importantly (as a summation of all of these), Zion was, purely, an
object of fear and torture. The mere sight of Zion was their dethronement and
their utter humiliation (they became like women writing in child-birth). In the
vision of Zion they were buffeted by the objective curse of Zion (in her
manifestation of God’s covenant, as we have argued). Here, we begin not with “kings”
but with citizens, not with antagonism but with a tender and overwhelming love
of Zion. Second, these citizens are seen to, like the kings, be ‘together’ but in liturgy, contemplating God’s ‘lovingkindness’.
Furthermore, they begin inside her
walls, rather than outside. Unlike the kings, they not only see Zion, but they
have been, familially-generationally and covenantally, a part of a traditioning
(a ‘passing-down’) regarding her. They have ‘heard and seen’ Zion. Finally, in
contrast to the curse experienced by the kings, Zion is nothing but blessing
and life. Within this arena of blessing Zion is becomes a type of symphony
between her and her king. And—crucially—it is in this symphony, in contrast to
the king’s vision of Zion’s power, that we see the real manifestation and
embodiment of Zion’s strength—her turning toward God in praise. This is
important: the king’s vision of Zion’s power was, by definition, very limited and
partial; God’s curse is always an attempted preliminary to his blessing where
one “walks with God”. In the final portion of the verse above we also see a
final contrast: whereas Zion caused the scattering of the kings, for her
citizens it binds them together in familial-covenantal solidarity with each
other (“so that you may describe it to the next generation”). This emphasis on
generational solidarity is key: Zion, as the ‘stronghold’ of God endows her
citizens with the perpetuity and safety guaranteed to those who stand within
God’s/Yhwh’s “everlasting” sphere. In other words, the ‘passing down’ is,
itself, a manifestation of Zion, her protection and her beauty (she is, like
lady Wisdom, to be handed down “from father to son”).
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